THE POLITICAL GAMECHANGER

Satyabrata Ghosh analyses the politics of the day, and arrives at conclusions, which opposition parties must adhere to if they...

I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

BOLLYWOOD’S TIMELESS MAJNU: YASH CHOPRA

On his 90th Birthday, last week, Monojit Lahiri pays tribute to the flamboyant and trail-blazing filmmaker for whom love, roma...

The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

Double Whammy

Film historian Dhruv Somani writes on Bollywood’s fascination for double role movies, down the decades.

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Those Haunting Melodies

Film historian Dhruv Somani, laments the end of the mel...

MERE PAAS MAA - SORRY, MOM HAI!!

Has ‘Hey Mom’ replaced ‘Mataji’ in B-town? On Mother’s Day, Monojit Lahiri discusses t...

Satyajit Ray: The man who knew too much

In a new book, Barun Chanda, who acted in Satyajit Ray’s Seemabaddha, goes down memory lane about his experiences of working with Ray. Sh...

Satyajit Ray: The man who knew too much

In a new book, Barun Chanda, who acted in Satyajit Ray’s Seemabaddha, goes down memory lane about his experiences of working with Ray. Sh...